Kim's work is strongly influenced by the seasonal changes. There is an emphasis upon simplicity, structure and space. Lines and edges are kept clean with sweeping curves and folds creating the main form. The relief panels have been a prominent part of the work, and this is an ongoing development. Unlike the main body, the relief work is more organic in appearance. Simple shapes are clustered together to create abstract compositions. Some pieces have small areas of relief work, while others intergrate stronger lines into the main form itself. Kim's work comprises of vessels and wall hangings, although her present work concentrates more on structured vessels. Each piece is slab-built and is approximately 3mm thick. All have bases; however, they are not primarily designed as containers! Several clay bodies are used in the work. Ranging from semi-porcelain to various earthstone clays, dependant on it's appropriate firing. The work is slab built, utilising a variety of different glaze applications. The relief work on the main body is finished with lustres. A selection of different colours are used for this, whilst keep the work as subtle as possible by giving a metallic shine to the prominant areas. Kim likes contrasts in her work. From the clean white surfaces to the organic appearance reated through sawdust firing an already glazed surface. This gives the pieces more of a raku finish to them. This smoke firing process changes the overall appearance of the work, creating a unique finish. No two pieces look the same.